- Titles and credits (idents)
- Establishing shot (often with blue tint for horror genre films)
- Sound track, digetic or non digetic.
- Tracking shots.
- Mise-en-scene to provide anchorage of genre and the idea of the film.
- Following one specific main character (protagonist)
Judith Butlers theory on the idea that we decide that we show the world we are male and female by the way we dress and that gender doesnt exist it is something we perform we as people are taught to be male or female from a young age.
We decided for the titles to go for a white text to signify seriousness although we went against the idea of Serif font because we wanted to show that a font choice cant make a huge difference to a production and we didnt want to give to much away as the titles are at the beginning of the opening we hoped this wouldnt form an oppositional reading for the viewers but we thought with the sound track over it that would provide sufficiant anchorage involving high strings like Psycho. We have low and high notes throughout the opening which we hoped would signify binary oposition to the audience of the two customers in the salon althoguh we should of gone for the shot reverse shot when the two were talking to eahother to show binary oppositon better.
The slightly low angled shot of our killer is a countertype of your normal horror film signifying womens power and a feminist spin on the genre later anchored by the dialogue at the end 'Time up b*itch' showing strength usually a male representative which is what the whole idea of the production is about.
We went with the idea in the end of narrative enigma of the killer, a usual convention in horror, even though we wanted the audience not to know who the killer was it was hard to do this from the coverage we'd taken because George was shown although we tried to make him seem mysterious for example the high strings music when hw was approaching the salon and when he was rooting through the draws in the upstairs of the salon although the opposiotional reading looked like he was getting nervous and looking for a weapon which was polysemic.
We also decided to have a blonde scream queen and we wanted her to come across a quite ditzy, and although she didnt have a large chest her legs were constantly on screen and we used the towel coming of her in the sunbed to signify the Katie was killing her because she was sexually active. We wanted to bring in the male gaze that would attract our target audience being males and females 15-24 and we thought we needed to do this because some people might say its a womans film because of the feminist spin on genre.
We wanted Katie to appear as a mysterious character and represent violence so the close up of her slamming the scissors into the pot on the desk is used to connotes violence. We feel that the salon setting has achieved verisimilitude obviously because it is where beauty treatments take place unlike or origional idea of a home salon. If we applied the communtation test and had katie wearing jeans and t-shirt she wouldnt seem professional and we wouldnt be creating a sense of realism.
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